U.S. media Chinese art into the northern and Southern Dynasties New York exquisite stone carving abo autobots

U.S. media: Chinese dynasties art into New York exquisite stone carvings on the new network shock history – Reference News Network November 26th reported that the U.S. media said, a day in the morning, you can see the armed men to walk around the city streets, and you have never heard of the language, looks and you have seen before, people do not like that. It is a terrible thing. What is more frightening is that you realize that the protector, your leader and the army, has escaped all night. From third Century onwards, this scene staged several times in the Chinese, when the Han Dynasty collapsed and non Chinese nomadic people from the north into the the Great Wall break. According to the U.S. "New York Times" website reported on November 17th, they brought fear, but also brought other things: knowledge, beliefs and cultural curiosity, which transformed into respect or something similar. This respect plays two roles. Slowly, the appearance, language and other aspects of the invaders and the Chinese nation. The Chinese nation began to have a broader and deeper understanding of themselves. Reported that the Manhattan City Washington Street China Museum of the new museum’s first exhibition "gone extinct: Six Dynasties art, the driving force behind the three to sixth Century" is this exchange. Season after season, the Chinese Art Museum has brought extraordinary treasures to New York, many of which are directly from China, and even some of the most expensive museums are not easily accessible. The art museum in Manhattan East 65 Street site only two small exhibition hall and Museum exhibition area of more. Although the space is compact, the exhibition covers a very long history. After the end of the Han dynasty ruled, appeared political disputes. China is in fact divided into two parts, the north by the people of the rule of the south by the Chinese nation. Each part is further divided into the Warring states. This lack of centralization has lasted for nearly four centuries. The above is just a very complex history of the basic framework, even if a large exhibition can not show its full picture. The exhibition does not try to do this, but through some unique cultural achievements of it to look at this period known as the six dynasties or the history of the development, including improvement of celadon technology of Buddhism, and the progress of calligraphy and painting. It has borrowed to explain the value of information from the Chinese three important local art organizations: Shanxi Museum of the north and south of the Nanjing Museum and the Museum of Nanjing city. Reported that Buddhism is likely to be introduced into China from the Han Dynasty in India, but in the confusion of the times, people because of panic and warmly accepted it. Monks in India along the Silk Road from the north to the introduction of Buddhism Chinese, with grand visual form huge grotto sculpture appeared in Shanxi. Not surprisingly, some of the most beautiful stone carving exhibition from Shanxi Museum: a sandstone statue depicts a Bodhisattva, her cloak is Breeze Blows wrinkles; a portrait of a foot is a description of a lost dream in a calm sex fuzzy spirit. Buddhist art in China has experienced twists and turns. As an alien thing, it has never been completely free from doubt. By contrast, in essence, calligraphy is considered China art, the northern and Southern Dynasties appeared the most famous representative of Wang Xi)相关的主题文章:

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